Wednesday, January 1, 2020
Factors That Influence The Model Of Reception That Shapes...
Childress and Freidkin named three factors of their model of reception that shapes the meaning of cultural objects for a particular audience and or individual. In the class lecture it is stated that, ââ¬Å"the meaning of cultural objects is not simply formed by social context or producersâ⬠¦ it is created, redefined, distributed, and interpreted by a wide range of actorsâ⬠(Vila-Henniger, 10/31). Part of what creates the meaning comes from the audience and their interpretations, which can be completely different to what the producer intended it to mean. One of factors that is mention is sociodemographic predisposition. It is a common framework that ââ¬Å"demographic social positions not only influence cultural participation but also affect interpretations of texts themselvesâ⬠(Childress and Friedkin 2012: 48). What this means is that people are biased because their positions in societies and their backgrounds plays a role in how they interpret and view things. Th ese include their gender, race, economic class, etc. In the article, they talk about a study that was conducted using members of book clubs. These participants meet on a regular basis to discuss works of fiction. The participants are given the book Jarrettsville to read. They chose this book because draws the reader ââ¬Å"into issues related to gender and race, and they are embedded into groups that are markedly homophilous and undifferentiated on dimensions of education, income, and raceâ⬠(Childress and Friedkin 2012:48). TheyShow MoreRelatedModels of Communication7544 Words à |à 31 PagesCommunication (New York: McGraw-Hill Book Co., 1972), Chapter 2, ââ¬Å"Communication Models.â⬠A.à à à What is a Model? 1.à à à à Mortensen: ââ¬Å"In the broadest sense, a model is a systematic representation of an object or event in idealized and abstract form. Models are somewhat arbitrary by their nature. The act of abstracting eliminates certain details to focus on essential factors. . . . 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